Art = Love

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I've been having an interesting conversation (or rather, interchange, since there aren't technically voices involved) with Claudia about street photography, as a specific art form. Turns out, there are actually classes on the subject.

I'd never really thought about it as something that one might teach (or take) a class on. It seems so organic to me; you learn by doing, and maybe the streets teach you a thing or two about looking at things, ordinary things, and seeing their magnificence (and/or horror).

I find, for example, that the best shots come from the split-second pics I take without thinking: zap, zzap, zzzap. The faster I go, the more good stuff I seem to get - I think because then it all happens at the level of dreaming. It also helps that I am not burning film, though honestly when I shot more film, I - er - shot more film. I mean, I used to rip right through it, roll after roll after roll, because, you see, I'd already discovered the rule of unconscious genius. The more unconscious the artist, the greater his or her access to her particular genius. Well, that is my theory, anyway, and were I to start a school (a project I occasionally toy with), that would be part of the foundation of its curriculum. Developing the ability to be awake and yet only half-aware (or less) of what one is doing. It's a talent, honestly. Or a skill to be honed.

I don't know why, but I feel there is a connection between love and the unconscious. I think the things we adore, the things that TURN US ON are operating at the same level as art-making. They are tapping into parts of our brain of which we are only (if that) dimly aware, and which are perhaps meant to stay dreamlike.

Mystery is good.

***

The sands flame again
flowers crushed to ash
her feet held aloft
a bird untold
how to begin flight.

When again
he comes over the hill
bearing fruit in his trousers
She can't see the sun behind
his shoulder

That Laurence of Arabia
moment when he smiles
the blinding smile
That look of winter
in his one blue eye
(the other black, a dark
sea, an omen, a bird
she can't touch)

words and images copyright 2008 L. Grav. all rights reserved.

1 Comments

claudia said:

I'm very interested to see how this works out. At the very least, setting aside time especially for shooting (a problem for me) will be a huge benefit without anything more.

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This page contains a single entry by Lizbon published on March 11, 2008 1:18 AM.

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